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  • Burrow collective. In the Eye of the Storm. 2018
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    • Burrow collective. In the Eye of the Storm. 2018
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    Burrow Collective

    In the Eye of the Storm

    28/02/2018

    Processes Sound Art Ecologies History Voice
  • Phill Niblock. Photograph: Alessandro Farese
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    • Jim O’Rourke on Phill Niblock
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    Sonic Genealogies

    Jim O’Rourke on Phill Niblock

    02/09/2017

    Contexts Sonic Genealogies History Music Sound Art
  • Laibach, Black Cross, 1980
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    • 1. Laibach. An Alternative Slovenian Culture
    • 2. Retro-principle, Retro-avant-garde, and Retrogarde
    • 3. A State in Time Apart
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    NSK. From Kapital to Capital

    Neue Slowenische Kunst. An event of the final decade of Yugoslavia

    22/08/2017

    Inaudible Action Criticism Public Sphere History Art History Mass Media Modernism
  • Celia Macías. En el nombre de (In the Name of). 2016
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    • Niño de Elche y Los Voluble. Los flujos no se paran (Flows Don’t Stop). 2017
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    Niño de Elche + Los voluble

    Los flujos no se paran (Flows Don’t Stop)

    19/06/2017

    Processes Archive Gender Politics Audiovisual Voice Postcoloniality
  • Rolf Julius. Photograph: Edwin Lo
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    • Steve Roden on Rolf Julius
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    Sonic Genealogies

    Steve Roden on Rolf Julius

    31/08/2016

    Contexts Sonic Genealogies History Music Sound Art
  • Miguel de Molina
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    • Coro Popular Jabalón. "El puente de los franceses" en Canciones De La Guerra Civil Española (1936-1939 Versión actual)
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    • Celia Gámez. Ya hemos pasao (1939)
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    • Canción de Bourg Madame (1939)
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    • Conchita Piquer. El Tatuaje, Odeón (1941)
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    • Bonet de San Pedro. Carpintero, carpintero (1948)
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    • Antonio Machín. Espérame en el cielo, Odeón (1949)
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    • Antonio Machín. Dos gardenias para ti, TVE (1947)
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    • Antonio Machín. El Manisero, Barcelona Compañía de Gramófono (1930)
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    • Nani Fernandez. "Yo te diré" en Los Ultimos de Filipinas (1945)
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    • Antonio Molina. "Soy minero" en Esta voz es una mina (1955)
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    • Antoñita Rusel con la Orquesta Club Trébol. Mi casita de papel, Columbia (1945)
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    • Antonio Molina. Cada cual por su camino, Discos Montilla (1957)
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    • Miguel de Molina. La bien pagá, Odeón (1944)
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    • Miguel de Molina. Ojos verdes, Odeón (1944)
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    • Bonet de San Pedro y los Siete de Palma. Rasca Yu (1943)
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    • Antonio Machín. Ni que sí, ni quizá ni que no, Odeón (1950)
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    • Lolita Sevilla. "Americanos" en Bienvenido Mister Marshall (1953)
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    Campo cerrado

    Playlist by María Dolores Jiménez Blanco

    21/06/2016

    Inaudible Music History
  • Eric Baudelaire. Letters to Max, 2014
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    • letters_to_max_eng.mp3
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    Letters to Max

    An interview with Eric Baudelaire

    14/09/2015

    Inaudible History Audiovisual Politics
  • Hoover Constellation 867A advertisement
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    • Richard Hamilton
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    Richard Hamilton

    Popular culture is much bigger than pop

    11/06/2014

    Inaudible Politics Art History Body Audiovisual History Visuality Technology Sound
  • Dominique Gonzalez Foerster. Splendide Hotel, Palacio de Cristal, 2014
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    Dominique Gonzalez-Foerster

    Splendide Hotel

    15/04/2014

    Inaudible Installation History Space
  • Exhibition view. The Biographies of Amos Gitai, 2014
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    • Amos Gitai
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    Amos Gitai

    The Biographies of Amos Gitai

    18/02/2014

    Inaudible Art History Archive Installation Architecture Postmodernity Document History Modernity Audiovisual
  • Miguel Quintas. Concha Jerez/José Iges. Force In em DA2, 2007
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    • Concha Jerez / José Iges
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    Concha Jerez / José Iges

    Force In

    06/01/2014

    Contexts Art History Poetry Sound Art Latin América History Modernity
  • Exhibition view. Chris Killip, trabajo / work, 2013
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    • Interview with Chris Killip
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    Interview with Chris Killip

    trabajo / work

    29/10/2013

    Inaudible Photography Archive Politics History Visuality Audiovisual
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