Is There Really a Place on Radio for Experimentation?
"The FM Ferry Experiment" by neuroTransmitter on Pirate Radio (A2 Engineering Sound x Public Space)
In 1967, the New York Avant-Garde Festival (1963–1980), founded by Charlotte Moorman, took place for 24 hours aboard the Staten Island Ferry. In the spirit of that event, The FM Ferry Experiment—presented by neuroTransmitter in September 2007—integrated broadcast and performance into one of New York’s most traveled public spaces, expanding its architecture out into the airwaves and engaging publics both on the ferry and on the air.
For eight days in September 2007, neuroTransmitter transformed the Staten Island Ferry into a floating radio station, broadcasting to the NYC region as it continuously traveled between Staten Island and Lower Manhattan.
Live programs consisted of performances, lectures, and conversations that took place aboard the ferry, and were broadcast along with music, sound, and ambient noise via WSIA 88.9 FM and fmferryexperiment.net.
Echoing the spirit of offshore pirate radio stations like Radio Caroline— which broadcast from ships anchored in international waters to circumvent national regulations —The FM Ferry Experiment reimagined the ferry not only as a site of transit, but as a platform for mobile transmission, public discourse, and sonic experimentation within the urban fabric of New York City.
neuroTransmitter was active from 2001 to 2008. Initiated and organized by Angel Nevarez and Valerie Tevere, neuroTransmitter was a project whose work fused conceptual practices with transmission, sound production, and mobile broadcast design. Their work re-articulates radio in multiple contexts considering new possibilities for the broadcast spectrum as public space. Projects, performances, and exhibitions include: The New Museum, NY; WUNP, unitednationsplaza, Berlin, Germany; The Contemporary Museum, Baltimore; viafarini, Milan, Italy; The Anna Akhmatova Museum, St. Petersburg, Russia; Govett Brewster Museum, New Plymouth, NZ; Centre d'Art Passerelle, Brest, France; and Museu da Imagem e do Som, Sao Paulo, Brazil. Tevere is an artist and Professor of Media Culture at the College of Staten Island (CUNY). Nevarez is an artist and musician and teaches at Parsons School of Design, The New School, Manhattan, NY.
WSIA 88.9 FM was founded in the mid-1970s by a group of students at The College of Staten Island (CSI), who ran some wire to the cafeteria and started spinning records. They then applied for a license and have been broadcasting regularly since August 31, 1981. For over 40 years, WSIA has featured a variety of programming, and the CSI students who run the station are committed to the new and innovative, and serving the Staten Island and the Greater New York community. WSIA broadcasts 24 hours a day, seven days a week over the air and online at www.wsia.fm.
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Radio, as a heterogeneous mix of technological progress and aestheticised desire, goes far beyond being merely a medium of communication. This series of podcasts aims to highlight this fact, offering a selection within the wide variety of topics currently being explored, most notably the confluences and limits and the possibilities of dissemination and the presence of silenced histories.
Depending on the chosen historical and theoretical paradigm, multiple and even contradictory histories of radiophony can be constructed. Therefore, research starts from a general corpus of concepts which explore, along with a fascination with the medium, a utopian and unconventional treatment: the "Radio-Eye" and the Radio-Pravda manifesto of Dziga Vertov; the public interaction and communication of Bertolt Brecht; William Burroughs' cut-ups and communicative disruption; Velimir Khlebnikov's "The Radio of the Future"; and the concept "Radio Mind" by psychologist Upton Sinclair. As media theorist Allen S. Weiss states: “Radio is not a singular entity but rather a multitude of radios” and "radiophonia is a heterogeneous field encompassing diverse apparatus, practices, forms, and utopias”.
Opposite the canonisation of the field and radiophonic methods, there are people and collectives that opt to keep margins fluid and encourage participation, reflection and interaction through experimental approaches and applications. To invent and reinvent radio is to approach radiophonic space as a creative space. Thus, the series seeks to establish an open and fragmented dialogue with media artists, creators and thinkers on the relationship between radio, society, technology and experimentation through singular and idiosyncratic radio pieces.

IMG. (1), (2), (3), (4), (5)
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- Date:
- 05/09/2025
- Production:
- Agnès Pe
- License:
- Creative Commons by-nc-nd 4.0
Audio quotes
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neuroTransmitter, The FM Ferry Experiment [live broadcast from the hurricane level of the Staten Island Ferry]. September 14, 15, 20–22 and 27–29, 12:00 – 4:00 pm EST, NYC (2007). Available online
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Tony Blackburn, Radio Caroline: The Voice of Loving Awareness Radiating from the North Sea [live broadcast from motor vessel Mi Amigo] (1965).
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5th Annual New York City Avant Garde Festival, Staten Island Ferry (John F. Kennedy) for 24 hours. [Charlotte Moorman directed this event between 1963 and 1980]. September 29-30 (1967). Available online
Images
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The FM Ferry Experiment studio on the John J. Marchi Staten Island Ferry. Image features (left to right) Valerie Tevere of neuroTransmitter and on-air guests Shreshta Premnath and Jesal Kapadia. (1)
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The Staten Island Ferry: John J. Marchi leaving the St. George, Staten Island dock. (2)
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The FM Ferry Experiment image (September 14, 2007). Staten Island Ferry, neuroTransmitter. (3)
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Floorplan of the hurricane deck of the Molinari class ferries. (4)