Castellano Radio from Reina Sofia Museum
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  • Group photo. San Francisco Tape Music Center. From left to right: Tony Martin, William Maginnis, Ramón Sender, Morton Subotnick and Pauline Oliveros
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    • A Death in Zamora
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    • Sonics and the Origins of the San Francisco Tape Music Center
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    • Multimedia and Psychedelia. From Desert Ambulance to the Trips Festival
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    Desert Ambulance

    Ramón Sender and the San Francisco Tape Music Center

    04/03/2020

    Contexts History Music Sound Technology Politics Experimentation
  • Horse Head. Sketch for «Guernica». Pablo Picasso
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    • art_animal_rights_and_socialism.mp3
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    Art, Animal Rights and Socialism

    An interview with Stephen Eisenman

    27/01/2020

    Networks Common Public Sphere History Art History Politics Theory Visuality Critique
  • Micha Dell-Prane, Delphine Seyrig and Ioana Wieder holding a camera during a demonstration, 1976. Black and white photography. Courtesy of Centre audiovisuel Simone de Beauvoir
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    • delphine_seyrig_and_the_feminist_video_collectives_in_france_in_the_1970s_and_1980s_1.mp3
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    Delphine Seyrig and the Feminist Video Collectives in France in the 1970s and ‘80s

    Interview with Nataša Petrešin-Bachelez y Giovanna Zapperi

    13/01/2020

    Inaudible Audiovisual Gender History
  • Rafael Barradas. Vibrationist Landscape. 1918. Guillermo de Osma Gallery, Madrid.
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    • 1. Introduction
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    • 2. Stephen P. McGreevy. Early Cape. 2001
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    • 3. Interview with Shelley Trower. 2017
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    • 4. Cables and Physiology. Marcel Duchamp and Nervous Filaments
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    • 5. Lucrecia Dalt. Concentric Nothings. 2018
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    • 6. Mesmerism and Cosmic Anarcho-Communism: František Kupka
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    • 7. Ramón Goy de Silva. Ondas hertzianas, 1927
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    • 8. Vibrationism: Carmen and Rafael Barradas
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    • 9. Joan Salvat-Papasseit. Columna vertebral: sageta de foc. 1919
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    • 10. Greguerías onduladas. Ramón Gómez de la Serna
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    Only That Which Moves Exists

    From Electromagnetism to Vibrationism

    12/12/2019

    Contexts Painting Art History Sound Abstraction Latin América Sound Art History Mass Media
  • Ngũgĩ wa Thiong'o © Daniel Anderson, 2010
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    Language as a deposit of memory and history

    An interview with Ngũgĩ wa Thiong'o

    11/11/2019

    Networks Document History Language Modernity Pedagogy Politics Postcoloniality Voice
  • Anna Papaeti & Nektarios Pappas, The Dark Side of the Tune (installation), Hypnos Exhibition (Onassis Cultural Centre, Athens, 2016) © Panos Kokkinias
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    • Anna Papaeti
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    Anna Papaeti

    The Undoing of Music

    01/04/2019

    Processes History Politics Music
  • Imants Žodžiks. NSRD, Concert Performance (Juris Boiko, Hardijs Lediņš, Inguna Černova). 1980’s
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    • Introduction. Communication flows before the network of networks.
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    • E.V.P. Electronic Voice Phenomena
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    • Radio Jamming and Samizdat
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    • Magnitizdat
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    • Tape Jockeys
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    You belong probably to the cucumbers

    Electromagnetism and communication in Latvia before the arrival of the internet

    30/08/2018

    Contexts History Technology Midstream
  • Burrow collective. In the Eye of the Storm. 2018
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    • Burrow collective. In the Eye of the Storm. 2018
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    Burrow Collective

    In the Eye of the Storm

    28/02/2018

    Processes Sound Art Voice History
  • Interview to Kaspars Vanags. Sara Buraya's photo
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    • Kaspars Vanags & Kitija Vasiļjeva
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    • Edgars Zvirgzdiņš about his radio postcards collection
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    • Baiba Krogzeme - Mosgorda about memory albums
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    • Ieva Astahovska about Valdis Āboliņš
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    • Andrejs Strokins about his found objets collection
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    • Baiba Krogzeme - Mosgorda about folksongs
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    You've got 1243 unread messages

    Latvian Center for Contemporary Art

    21/12/2017

    Networks Midstream Archive Technology History
  • Opening of the seminar Picasso in the monster institution at La Casa invisible, Malaga. 2017. Photo: Sara Buraya
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    • Picasso en la institución monstruo
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    Picasso in the Monster Institution

    Midstream (Spanish/English audio)

    07/12/2017

    Networks Politics Criticism Midstream
  • Maryanne Amacher. The Wire, 2009
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    • Thomas Ankersmit on Maryanne Amacher
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    • Olivia Block on Harry Bertoia
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    • Jim O’Rourke on Phill Niblock
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    • Steve Roden on Rolf Julius
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    • Peter Kutin on Christina Kubisch
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    Sonic Genealogies

    Arnau Horta

    14/02/2017

    Contexts History Music Sound Art
  • Miguel de Molina
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    • Coro Popular Jabalón. "El puente de los franceses" en Canciones De La Guerra Civil Española (1936-1939 Versión actual)
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    • Celia Gámez. Ya hemos pasao (1939)
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    • Canción de Bourg Madame (1939)
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    • Conchita Piquer. El Tatuaje, Odeón (1941)
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    • Bonet de San Pedro. Carpintero, carpintero (1948)
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    • Antonio Machín. Espérame en el cielo, Odeón (1949)
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    • Antonio Machín. Dos gardenias para ti, TVE (1947)
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    • Antonio Machín. El Manisero, Barcelona Compañía de Gramófono (1930)
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    • Nani Fernandez. "Yo te diré" en Los Ultimos de Filipinas (1945)
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    • Antonio Molina. "Soy minero" en Esta voz es una mina (1955)
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    • Antoñita Rusel con la Orquesta Club Trébol. Mi casita de papel, Columbia (1945)
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    • Antonio Molina. Cada cual por su camino, Discos Montilla (1957)
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    • Miguel de Molina. La bien pagá, Odeón (1944)
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    • Miguel de Molina. Ojos verdes, Odeón (1944)
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    • Bonet de San Pedro y los Siete de Palma. Rasca Yu (1943)
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    • Antonio Machín. Ni que sí, ni quizá ni que no, Odeón (1950)
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    • Lolita Sevilla. "Americanos" en Bienvenido Mister Marshall (1953)
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    Campo cerrado

    Playlist by María Dolores Jiménez Blanco

    21/06/2016

    Inaudible Music History
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