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  • Micha Dell-Prane, Delphine Seyrig and Ioana Wieder holding a camera during a demonstration, 1976. Black and white photography. Courtesy of Centre audiovisuel Simone de Beauvoir
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    • delphine_seyrig_and_the_feminist_video_collectives_in_france_in_the_1970s_and_1980s_1.mp3
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    Delphine Seyrig and the Feminist Video Collectives in France in the 1970s and ‘80s

    Interview with Nataša Petrešin-Bachelez y Giovanna Zapperi

    19/05/2022

    Inaudible Audiovisual Gender History
  • Anna Papaeti & Nektarios Pappas, The Dark Side of the Tune (installation), Hypnos Exhibition (Onassis Cultural Centre, Athens, 2016) © Panos Kokkinias
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    • Anna Papaeti
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    Anna Papaeti

    The Undoing of Music

    01/04/2019

    Processes History Politics Music
  • Burrow collective. In the Eye of the Storm. 2018
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    • Burrow collective. In the Eye of the Storm. 2018
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    Burrow Collective

    In the Eye of the Storm

    28/02/2018

    Processes Sound Art Voice History
  • Miguel de Molina
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    • Coro Popular Jabalón. "El puente de los franceses" en Canciones De La Guerra Civil Española (1936-1939 Versión actual)
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    • Celia Gámez. Ya hemos pasao (1939)
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    • Canción de Bourg Madame (1939)
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    • Conchita Piquer. El Tatuaje, Odeón (1941)
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    • Bonet de San Pedro. Carpintero, carpintero (1948)
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    • Antonio Machín. Espérame en el cielo, Odeón (1949)
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    • Antonio Machín. Dos gardenias para ti, TVE (1947)
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    • Antonio Machín. El Manisero, Barcelona Compañía de Gramófono (1930)
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    • Nani Fernandez. "Yo te diré" en Los Ultimos de Filipinas (1945)
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    • Antonio Molina. "Soy minero" en Esta voz es una mina (1955)
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    • Antoñita Rusel con la Orquesta Club Trébol. Mi casita de papel, Columbia (1945)
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    • Antonio Molina. Cada cual por su camino, Discos Montilla (1957)
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    • Miguel de Molina. La bien pagá, Odeón (1944)
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    • Miguel de Molina. Ojos verdes, Odeón (1944)
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    • Bonet de San Pedro y los Siete de Palma. Rasca Yu (1943)
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    • Antonio Machín. Ni que sí, ni quizá ni que no, Odeón (1950)
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    • Lolita Sevilla. "Americanos" en Bienvenido Mister Marshall (1953)
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    Campo cerrado

    Playlist by María Dolores Jiménez Blanco

    21/06/2016

    Inaudible Music History
  • Eric Baudelaire. Letters to Max, 2014
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    Letters to Max

    An interview with Eric Baudelaire

    14/09/2015

    Inaudible History Audiovisual Politics
  • Hoover Constellation 867A advertisement
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    • Richard Hamilton
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    Richard Hamilton

    Popular culture is much bigger than pop

    11/06/2014

    Inaudible Politics Art History Body Audiovisual History Visuality Technology Sound
  • Dominique Gonzalez Foerster. Splendide Hotel, Palacio de Cristal, 2014
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    • Dominique Gonzalez-Foerster
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    Dominique Gonzalez-Foerster

    Splendide Hotel

    15/04/2014

    Inaudible Installation History Space
  • Exhibition view. The Biographies of Amos Gitai, 2014
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    • Amos Gitai
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    Amos Gitai

    The Biographies of Amos Gitai

    18/02/2014

    Inaudible Art History Archive Installation Architecture Postmodernity Document History Modernity Audiovisual
  • Exhibition view. Chris Killip, trabajo / work, 2013
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    • Interview with Chris Killip
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    Interview with Chris Killip

    trabajo / work

    29/10/2013

    Inaudible Photography Archive Politics History Visuality Audiovisual
  • Jordi NN. Batalla de Madrid, 2013
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    • Mikel R. Nieto
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    Mikel R. Nieto

    La Guerra (The War)

    28/10/2013

    Processes History Sound Art Politics
  • Exhibition view. Concrete Invention. Patricia Phelps de Cisneros Collection, 2013
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    Concrete Invention

    Patricia Phelps de Cisneros Collection

    25/02/2013

    Inaudible Sculpture Art History Modernity History Visuality Latin América Politics Conceptual Art
  • Exhibition view. Sharon Hayes, Habla, 2012
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    • Interview with Sharon Hayes
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    Interview with Sharon Hayes

    Habla

    01/09/2012

    Inaudible Politics Language Body Sound History Action Criticism
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