Castellano Radio from Reina Sofia Museum
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  • Pauline Oliveros. Photography courtesy of The Center for Contemporary Music Archives, Mills College at Northeastern University
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    • Stephen Vitiello on Pauline Oliveros
    • Judith Hamann on Alvin Lucier
    • Eleh (John Brien) on Eliane Radigue
    • Peter Kutin on Christina Kubisch
    • Thomas Ankersmit on Maryanne Amacher
    • Olivia Block on Harry Bertoia
    • Jim O’Rourke on Phill Niblock
    • Steve Roden on Rolf Julius
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    Sonic Genealogies

    Arnau Horta

    01/03/2023

    Contexts History Music Sound Art
  • Micha Dell-Prane, Delphine Seyrig and Ioana Wieder holding a camera during a demonstration, 1976. Black and white photography. Courtesy of Centre audiovisuel Simone de Beauvoir
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    • delphine_seyrig_and_the_feminist_video_collectives_in_france_in_the_1970s_and_1980s_1.mp3
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    Delphine Seyrig and the Feminist Video Collectives in France in the 1970s and ‘80s

    Interview with Nataša Petrešin-Bachelez y Giovanna Zapperi

    19/05/2022

    Inaudible Audiovisual Gender History
  • Group photo. San Francisco Tape Music Center. From left to right: Tony Martin, William Maginnis, Ramón Sender, Morton Subotnick and Pauline Oliveros
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    • A Death in Zamora
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    • Sonics and the Origins of the San Francisco Tape Music Center
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    • Multimedia and Psychedelia. From Desert Ambulance to the Trips Festival
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    Desert Ambulance

    Ramón Sender and the San Francisco Tape Music Center

    04/03/2020

    Contexts History Music Sound Technology Politics Experimentation
  • Rafael Barradas. Vibrationist Landscape. 1918. Guillermo de Osma Gallery, Madrid.
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    • 1. Introduction
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    • 2. Stephen P. McGreevy. Early Cape. 2001
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    • 3. Interview with Shelley Trower. 2017
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    • 4. Cables and Physiology. Marcel Duchamp and Nervous Filaments
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    • 5. Lucrecia Dalt. Concentric Nothings. 2018
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    • 6. Mesmerism and Cosmic Anarcho-Communism: František Kupka
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    • 7. Ramón Goy de Silva. Ondas hertzianas, 1927
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    • 8. Vibrationism: Carmen and Rafael Barradas
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    • 9. Joan Salvat-Papasseit. Columna vertebral: sageta de foc. 1919
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    • 10. Greguerías onduladas. Ramón Gómez de la Serna
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    Only That Which Moves Exists

    From Electromagnetism to Vibrationism

    12/12/2019

    Contexts Painting Art History Sound Abstraction Latin América Sound Art History Mass Media
  • Exhibition view. Lost, Loose and Loved: Foreign Artists in Paris 1944-1968
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    • París pese a todo. Una entrevista con Serge Guilbaut
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    Lost, Loose and Loved: Foreign Artists in Paris 1944-1968

    Interview with Serge Guilbaut

    24/01/2019

    Inaudible Art History
  • Imants Žodžiks. NSRD, Concert Performance (Juris Boiko, Hardijs Lediņš, Inguna Černova). 1980’s
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    • Introduction. Communication flows before the network of networks.
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    • E.V.P. Electronic Voice Phenomena
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    • Radio Jamming and Samizdat
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    • Magnitizdat
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    • Tape Jockeys
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    You belong probably to the cucumbers

    Electromagnetism and communication in Latvia before the arrival of the internet

    30/08/2018

    Contexts History Technology Midstream
  • Un grupo de personas junto a Esther Ferrer realizando la acción TA TE TI TO TU el 23 de noviembre de 2017
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    • 01_tatetitotu.mp3
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    Esther Ferrer

    TA, TE, TI, TO, TU

    09/04/2018

    Contexts Sound Art Action Art History
  • Miguel de Molina
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    • Coro Popular Jabalón. "El puente de los franceses" en Canciones De La Guerra Civil Española (1936-1939 Versión actual)
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    • Celia Gámez. Ya hemos pasao (1939)
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    • Canción de Bourg Madame (1939)
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    • Conchita Piquer. El Tatuaje, Odeón (1941)
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    • Bonet de San Pedro. Carpintero, carpintero (1948)
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    • Antonio Machín. Espérame en el cielo, Odeón (1949)
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    • Antonio Machín. Dos gardenias para ti, TVE (1947)
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    • Antonio Machín. El Manisero, Barcelona Compañía de Gramófono (1930)
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    • Nani Fernandez. "Yo te diré" en Los Ultimos de Filipinas (1945)
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    • Antonio Molina. "Soy minero" en Esta voz es una mina (1955)
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    • Antoñita Rusel con la Orquesta Club Trébol. Mi casita de papel, Columbia (1945)
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    • Antonio Molina. Cada cual por su camino, Discos Montilla (1957)
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    • Miguel de Molina. La bien pagá, Odeón (1944)
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    • Miguel de Molina. Ojos verdes, Odeón (1944)
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    • Bonet de San Pedro y los Siete de Palma. Rasca Yu (1943)
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    • Antonio Machín. Ni que sí, ni quizá ni que no, Odeón (1950)
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    • Lolita Sevilla. "Americanos" en Bienvenido Mister Marshall (1953)
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    Campo cerrado

    Playlist by María Dolores Jiménez Blanco

    21/06/2016

    Inaudible Music History
  • Eric Baudelaire. Letters to Max, 2014
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    • letters_to_max_eng.mp3
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    Letters to Max

    An interview with Eric Baudelaire

    14/09/2015

    Inaudible History Audiovisual Politics
  • Hoover Constellation 867A advertisement
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    • Richard Hamilton
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    Richard Hamilton

    Popular culture is much bigger than pop

    11/06/2014

    Inaudible Politics Art History Body Audiovisual History Visuality Technology Sound
  • Exhibition view Playgrounds. Reinventing the square, 2014
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    • Playgrounds
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    Playgrounds

    Reinventing the square

    09/06/2014

    Inaudible Art History Installation Architecture Space Public Sphere Politics Common Pedagogy Audiovisual
  • Dominique Gonzalez Foerster. Splendide Hotel, Palacio de Cristal, 2014
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    • Dominique Gonzalez-Foerster
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    Dominique Gonzalez-Foerster

    Splendide Hotel

    15/04/2014

    Inaudible Installation History Space
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