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Amos Gitai

The Biographies of Amos Gitai

Creator: José Luis Espejo
Speaker: José Luis Espejo
Podcast: Inaudible
  • Image 1 of the program Amos Gitai
    Exhibition view, The Biographies of Amos Gitai, 2014
  • Image 2 of the program Amos Gitai
    Exhibition view, The Biographies of Amos Gitai, 2014
  • Image 3 of the program Amos Gitai
    Exhibition view, The Biographies of Amos Gitai, 2014

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The exhibition The Biographies of Amos Gitai presents a series of fragments from films by Amos Gitai, both a filmmaker and an architect by profession. The fragments are displayed along a variety of documents, photographs, paintings, mock-ups, drawings, and even designs that provide an outline in order to understand Gitai’s work drawing from his own life and his particular context. In the interview, Gitai talks about a kind of site- based, rather than exclusively chronological biography, echoing the words by the curator of the exhibition, Jean-François Chevrier, at the interview about his past exhibition Biographical Forms.

Among the various aspects which are explored in the exhibition, this podcast focuses on the relationship between Gitai’s work and architecture, undoubtedly his father’s influence. His father, Munio Weinraub, who changed his surname to Gitai when he escaped Nazi Germany and arrived in Palestine, had studied at the Bauhaus. However, it was in Palestine where he developed the principles of modern architecture along with other Bauhaus architecture students such as Eldar Sharon or Shmuel Mestechkin.

At one stage during the film Arquitectura by Gitai, which depicts this particular historical moment, the voiceover describes modern design as ‘paternalistic’, as it forces Palestinian families to comply with the architectural forms of the European nuclear family. The relationship between paternity, paternalism, patriarchy and architecture are the key points around which the interview revolves.

The Bauhaus has been enormously influential. In a study about the influence of the Bauhaus school on the city of Brasilia, the musician and theorist Hildegard Westerkamp reaches the conclusion, amongst others, that cities under the influence of modern architecture have a similar sound, owing to the predominant presence of traffic. Following Westerkamp, some sounds from current Israel and Palestine (extracted from Radio Map Aporee), along with some extracts from the film Arquitectura, are played in the podcast.

Audio Quotes:

blackhole-factory Ramallah waste dump (February 13, 2009) - - spaxwax@yah... Arad, Israel - Public square in Arad (April 11, 2005) - - blackhole-factory Ramallah Street (February 13, 2009) - - mina amplified Qalandiya Checkpoint, watchtower - Palestinian kids throwing stones against watchtower (September 17, 2011) - - blackhole-factory Ramallah waste dump (February 13, 2009) - - Pierre Gauthier naplouse - traveling dans le souk (December 8, 2011) Ezor Be’er Sheva, Israel - spaxwax@yah...On a hill looking at a Beduin village (May 3, 2005) - - Richard Anders carmel-market, tel-aviv/yafo (March 4, 2010)



  • 04.15.2014
    Splendide Hotel
  • 03.17.2014
    Cosmos and Street
  • 02.18.2014
    The Biographies of Amos Gitai
  • 01.23.2014
    Construction and individual mythology
  • 12.12.2013
    The Hinge Between the 1970s and (...)

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